Inking Process for The Hávamál Project


Initial ink blob. Note the dripping ink and splatter shapes.

STEP ONE – Ink Blob

Each of my Hávamál drawings starts as an ink blob. Some days I think of the specific verse and let the ink fly, others I just let the ink fly. I listen to music and try to zone out. I use big brushes, little brushes, and even an old tooth brush. While the ink is still wet I’ll use paper towel or a pallet knife to wipe the ink around. The goal is to create random shapes.

I turned the ink blob upside down.

I turned the ink blob upside down.

STEP TWO – Inspiration

Each day I prepare the verse, print it out, and tack it up above my drawing table. I then go to my meditation table, light a candle, and do a meditation on the days verse. Once I feel things I right I go back to the studio and select the ink blob that seems to fit. I typically turn it several different ways to see what shapes I start to see.

Here is the verse I was working from:

Othin for the gods, | Dain for the elves,

And Dvalin for the dwarfs,

Alsvith for giants | and all mankind,

And some myself I wrote.

Along with some notes from Bellows on the verse:

Dain and Dvalin: dwarfs; cf. Voluspo, 14, and note. Dain, however, may here be one of the elves rather than the dwarf of. that name. The two names also appear together in Grimnismol, 33, where they are applied to two of the four harts that nibble at the topmost twigs of Yggdrasil. Alsvith (“the All Wise”) appears nowhere else as a giant’s name. Myself: Othin. We have no further information concerning the list of those who wrote the runes for the various races, and these four lines seem like a confusion of names in the rather hazy mind of some reciter.

I use pencil to find the forms

I use pencil to find the forms.

STEP THREE – Pencils

Staring at the ink blobs, while thinking about the verse I try to find shapes. I typically start with faces. With this verse I knew I needed Odin, an Elf, a Dwarf, and a Giant. As the verse speaks to the rune makers I wanted to include the runes as well. I struggled a bit to figure out what to do with the top shape. It kinda looked like clock hands at first. Then I realized it could be a knife carving, i.e. carving the runes.


First round of inks.


Using a #0 Series 7, Winsor & Newton, Finest Sable brush and Liquitex Professional Acrylic Ink, I start to block in the various shapes. I usually start with a nose and work my way out. Sometimes things change from the pencils, but I’m not too strict. The point is to feel the line and let the piece emerge naturally.


Even more ink!

STEP FIVE – More Ink

Using larger brushes I  outline certain forms to make them more prominent. I also use Micron Ink Pens to do the eyes.


White Ink!

STEP SIX – White

I use Dr. Ph. Martin’s Pen-White to clean up mistakes and enhance the image with white. By this point the image is almost done!


Small pens make thin lines.

STEP SEVEN – Line Work

In order to detail the image I use a Micron 01 Ink Pen to add detail.


Final Image, with ink wash.


Using a #02 brush I water down some ink to add a bit a shading to the image. My goal is to enhance forms, pushing some things back in order to bring others forward. At this point I sign it and I’m done!



If you want to read more about my Hávamál Project check out DAY ONE.


To see more of my work or to contact me for availability to help with your project, please visit:

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7 thoughts on “Inking Process for The Hávamál Project

  1. Pingback: The Hávamál Project – Day 24, verse 144 | An Artist's Journey

  2. Pingback: The Hávamál Project – Day 25, verse 156 | An Artist's Journey

  3. Pingback: The Hávamál Project – Day 26, verse 27 | An Artist's Journey

  4. Pingback: The Hávamál Project – Day 27, verse 162 | An Artist's Journey

  5. Pingback: The Hávamál Project – Day 28, verse 158 | An Artist's Journey

  6. Pingback: The Hávamál Project – Day 29, verse 89 | An Artist's Journey

  7. Pingback: The Hávamál Project – Day 30, verse 61 | An Artist's Journey

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